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A sweeping historical epic set in the late Three Kingdoms era, following Silla’s fierce battles against Goguryeo, Baekje, and Tang as its kings and generals fight to achieve the unification of the Korean Peninsula.

A 35-year old man, just released from jail, decides to make a clean break from the big city and his troubled past. He retreats to the abandoned village his father came from and moves into an old, collapsing house. Alone, far from the bigger village and doing petty jobs to survive, he will strive to find himself once more. Amidst a haze of suspicion and scorn by villagers who treat him an intruder, his past catches up to him in the form of his girlfriend from Athens. Conflict is inescapable

A cultural portrait of the American dream at a critical time in the nation’s history. Set against the 2016 American election, The King takes a musical road trip across the country in Elvis Presley's 1963 Rolls Royce.

The King is the story of Graham Kennedy, Australia's first and greatest home grown TV superstar. It traces his rise from working class Balaclava kid, through radio, TV, film, and back to TV again. It also tracks Kennedy's personal tragedies - the loneliness, the unrealised ambitions and the terrible pressures of being Australia's first homegrown superstar in the 1950s and 60s.

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The fish market is to be moved to Shinagawa, and Tasuke Isshin (Jun Inoue) got in trouble. Hikosaemon Ookubo (Eijiro Tono) heard of it from Tasuke, and ask about it to Iemitsu (Ken Tanaka). However, on the contrary, Hikosaemon received penitence for a bribe that he doesn't know.

Joseph Alex and Bharathchandran, two police officers, try to prevent Major Abu Jalal Rana, a terrorist, from attacking New Delhi.

Ghost nation? Violent home? Traumatised country? What does the horror of one of the most famous writers of our time hide? What does his fictional America expose? To what extent does cinema feed itself off his unique vision and expression of fear? In other words: what kind of America is Stephen King telling us about?